--- Materials: a crafting
knife, Pages from sketchbook, a sponge, a paint brush, a cutting mat, blue and
white acrylic, blue charcoal, blue and black ink, a fountain pen and white
charcoal dust.
>My aim today is to refine my first experimented piece by
making a new abstract similar to my first experiment as my first refinement. I
am going to go through the same phase of creating the abstract and the buildings
but instead, this time, I am going to use ink and a fountain pen to draw lines
unto the abstract. This is because I wanted the abstract to have looked
different and more intriguing- as I believe having lines make a piece of art
more interesting. I am also going to
paint the abstract unto the background so that the buildings become even more
camouflaged into the painting.


I started by adding my blue abstract (using the sponge) onto
the fourth page representing the background. This was so that the background
was not too basic and plain. This was quite challenging because I did not want
the colour on the background to be too dark as the abstract going over the
background obviously had to be visible. After going through the same stages as
my first experiment, I decided to add random lines into the abstract whilst
making sure the lines followed the outline of my technique. Firstly, I decided
to add, unto my abstract, lines in black and blue ink. After adding the lines,
I started getting a little expressive with them by making them come out of the
cloudy abstract and out of the actual painting. When using the sponge, I tried
to add some black paint, using the hard part of the sponge, unto the black line
already in the abstract.
Finally finishing the piece, I realised that the lines that
I drew made the building look even more camouflaged because the lines brought all
the cut-out buildings together as if there were no buildings to be seen in the
abstract. In my opinion, putting the abstract piece on the background, instead
of on the other pieces of paper, made my work more effective in comparison to
the first piece I did. This is because the buildings and the sky are then made
very hard to spot which is interesting for viewers when they do spot buildings.
This also therefore makes the piece an illusion. I really liked the idea of the skyline and architecture disappearing
into the abstract which meant that the piece could be seen in different views
creating an atmospheric perspective. This has been my aim since I started abstract -to create an
illusion making the viewers’ look carefully at the construction of the image or
outline of an image. When comparing my refined piece to the original
piece, I noticed that putting my technique in particular spaces was important
as it created the rule of thirds. I enjoyed the idea of controlling the viewer’s eyes on what they see
first flowing from section to section in the painting almost like an adventure
or a path. In my opinion, what did not work too well in this painting were
the lines I added. Overall, the lines make the abstract look too busy and over expressive.
My technique was used a lot in this abstract making the rule of thirds hard to
see as- at a first glance- I seemed to really concentrate on the left side of
the painting because I realised that the colour there is darker than the right
side so it therefore caught the viewers’ attention. To improve this refinement,
I would remove the lines and stick with my normal technique- so that it is not
overly expressive. I am also going to try adding a black background instead of
a normal abstract background and compare the two to see the difference between
my second and first refinement.
FINAL PIECE
I am
thinking of continuing to improve this abstract and refine it as; this is something
I would strongly like to present for my final piece. The reason for this is
because it connects with people personally as everyone is involved with mental
imagery. This is also relatable to me because of the colours used. The colour
blue symbolises peace, however the colour black is also used in this piece. The
colour black makes it look as if the darkness is either overcoming the light or
the lightness is overcoming the dark. This is because the colour black is small
in proportion to the amount of blue used so the emotion could either be growing
or shrinking. Furthermore, the shapes used for the abstract look as if something
exploded; explosion is normally a connotation of something negative which I
paint in blue- something positive. This creates an oxymoron of different connotations.
No comments:
Post a Comment